Many More Ma Xiaohui's Video Links

You can find many more Ma Xiaohui's Videos at the following Links :-

http://www.openv.com/play/SHDongFangTVprog_20080207_2774448.html
看东方（上）

http://www.openv.com/play/SHDongFangTVprog_20080208_2776162.html
看东方（下）

http://www.youtube.com/watch?v=ZYIOqUdCI5E
夜深沉（法国巴黎版）

http://you.joy.cn/video/1825.htm
夜深沉（非常有戏版）

http://www.youtube.com/watch?v=Ur2EgsmbVUM&feature=related
夜深沉（梨花开 新加坡版）

http://www.youtube.com/watch?v=Ur2EgsmbVUM&feature=related
梁祝+赛马（新加坡版）

http://www.56.com/u97/v_MjAzNjY4OTQ.html
春江花月夜（世博宣传版）

http://v.youku.com/v_show/id_XMzA0OTcwOTI=.html
草原赛马（世博宣传版）

http://www.56.com/u79/v_MjExMzAxODg.html
申报贺词

http://www.tudou.com/programs/view/xN5LiWauLsM/
美国之行，华盛顿故居，美国万花筒

http://v.youku.com/v_show/id_XMzA0ODg4NTI=.html
欢乐歌（金色大厅）

http://v.youku.com/v_show/id_XMzA0OTAwNTI=.html
江南小镇（MTV）

http://v.ku6.com/show/GgWhlQEIT7xSw2cz.html
快乐在一起

http://v.youku.com/v_show/id_XMzA1NTM2Mjg=.html
兰花花（希腊版）

http://v.youku.com/v_show/id_cf00XMzA0OTUzNjg=.html
天山牧羊女（MTV）
http://www.56.com/u38/v_MzEwNDk2ODM.html
我的道路（MTV）

http://v.ku6.com/show/TsSJqmSXDB5MmfnU.html
弦之炼

http://www.56.com/u21/v_MzEwNTAwMTg.html
红衣女郎—探戈

http://you.video.sina.com.cn/b/12092605-1366285142.html
成吉思汗

http://news.joy.cn/ent/video/95796.htm
二胡与世界握手（虹桥专场）新闻报道

http://www.sinovision.net/news.php?act=details&col_id=6&news_id=47760
卡内基赈灾音乐会前序报道（美国中文网）

http://www.56.com/u62/v_OTY4ODQz.html
琴韵（MTV）

http://video.baidu.com/t?di=496613041_496612997&pos=52&word=%C2%ED%CF%FE%EA%CD
弦之魅，琴之韵 上图05年讲座

Ma Xiaohui at Femina Magazine

Remember that came back from Carnegie Hall not long ago, I was busy in many different media publicity. Now I just came back from the South African, I received a gift from the magazine.To my surprise, it was my interview publications.

Now share with you.

Review of the Concert with the Wuerttemberg Chamber Orchestra Heilbronn

Review of the Concert with the Wuerttemberg Chamber Orchestra Heilbronn on March 17, 2007 in Uster, Switzerland

Warming up the souls with the sounds from the Far East

To conclude the concert season of the KGU (Concert Community Uster), the Wuerttemberg Chamber Orchestra Heilbronn and the Erhu Artist Ma Xiaohui presented an accomplished musical evening in the music hall of the city (Stadthofsaal).

Once again, with its concert of last Saturday, the KGU has fully succeeded in combining the unknown with the known. Well-known works of Janacek and Dvorak formed the pillars of a program that featured, as its centerpiece, the encounter with Chinese music. Thereby, Ma Xiaohui, the soloist of the concert with her extraordinary virtuosity as well as charme who has been performing all over the world, understands herself as an ambassador of this unknown part embedded in the known.

A new world of sounds is opening in a miraculous fashion. It seems fair to say that barely anyone in the audience, before the concert, could have formed a clear idea about the sound of a Chinese violin, the so-called erhu. Mere descriptions can tell only little about the expressive power of an instrument that, with only two strings and a relatively small box of resonance, gives the impression of tonal modesty without big influence.

All the bigger is the surprise when the magician of sounds Ma Xiaohui, entirely in sync with her instrument and revealing the adaptable nature of the erhu, immerses the audience in a new musical world. While exotic, yet very close and fascinating is her play so that one could hear a needle falling down to the floor in the concert hall.

(About Wuerttemberg Chamber Orchestra Heilbronn)
(About the conductor Ruben Gazarian)

March 19, 2007

Zuercher Oberlaender and Anzeiger von Uster

From Newspaper Reviews on Ma Xiaohui’s Performances

From Newspaper Reviews on Ma Xiaohui’s Performances


The beautiful musician Ma Xiaohui conjured up from her instrument erhu smoothly articulated melodies, decorated with powerful vibrati, harsh tremoli, and an excited expressivo.

Bremen Daily, 16 November 1998


In the erhu concerto with the China National Symphony Orchestra, the soloist Ma Xiaohui elicited from the simple, tiny instrument unexpectedly powerful sounds and a big variety of tones, without using a microphone.

Nuremberg News, 23 November 1998


From her two string instrument, Ma Xiaohui produced with her nimble bow a charming delicacy for eyes and ears.

Nuremberg Evening Post, 23 November 1998


One lingering note, though, will convince you that to hear Ma Xiaohui at work is worth a sacrifice and more. From a tiny voice-box attached to a two-foot finger-board, the sound vibrated by a loose-strung bow; she drew a kind of alto human voice bereft of words, but given song - the power, in this case, to lament. It was, indeed, so like singing purged of unintentional impurity, its sounds so culture-free and universal, that Ma Xiaohui’s gift, and vibrant musicality, shone out on us like light.

The Oxford Times Weekend, 27 November 1998


The incredibly poised soloist was the erhu virtuoso Ma Xiaohui, who produced a stream of mellow tone and also displayed the sunnier side of her instrument.

The Times, 26 November 1998


Electric guitars may rule the hearts of Chinese teens these days, but no other instrument is more entangled with the history of China’s 20th century than the erhu. And few can make the classical two-stringed instrument cry, plead, wail, soar, and tremble like 30-something year old virtuoso Ma Xiaohui hailed by critics as one of the leading erhu players of her generation.

Shanghai Talk, January 2000

Many friends of music didn’t know the sound of erhu and thought that Chinese music is not necessarily suitable for European ears. However, the visitors of this concert were surprised in a most positive way.

The artist (Ma Xiaohui) played with virtuosity and in a sensitive and subtle manner and brought music to life out of passed-on legends, ballads and gentle poems.

It was amazing how harmoniously both artists (Ma Xiaohui and Tim Ovens) played together, and the audience got to appreciated the well-arranged program nurtured from two cultures. At the end, both musicians were highly acclaimed, thanking with encores.

Marbacher Zeitung, 24 June 2000

Contrasts in Harmony
The piano was played by the ascetic-like Tim Ovens; behind the erhu was a perfectly smiling Ma Xiaohui. ... Already after the first notes it was clear that this lady had a masterly charisma that carried the music, whatever music.

Nürnberger Nachrichten, 5 July 2000


Ma Xiaohui is utterly devoted to the erhu, determined to strengthen its image, expand its repertoire, and build its audience. “People always say erhu is very sad. But, I say it’s very warm instead. I think it’s a lot like Chinese people - smart, difficult, sensitive. Erhu is not perfect - we don’t have four strings like a violin. But, it can occupy your heart.”

“My instrument is like a free ticket to fly around the world. I have met so many different people. I have seen hug differences in many cultures,” Ma says. “But, as human beings, I have not seen many differences. When I feel people can understand me - read me through my music - it is so wonderful.”

International Herald Tribune, December 27, 2000


Ma Xiaohui proved to be a magnificent erhu player who, as if by magic, produced out of the two strings fantastic sound effects. With much vibrato and glissando, she depicted the vocal melodies and with just as much sensitivity and temperament she expressed the poesy of the pieces and her joy of life. Li Biao created an atmospherically dense and harmonious backdrop with his subtle marimba or vibraphone sounds, entered the dialogues of melodies and, when necessary, played powerful rolls on the drums.

Ingolstadt, Donaukurier, 16 July 2001


Ma Xiaohui offered an equally virtuoso and multifaceted sample of her artistic skills and feelings. With her bamboo bow the Chinese musician elicited from the two string of the instrument an immense array of sounds from vital expressive power to wistful tones. Li Biao at his percussion instruments proved to be a sensitive and congenial music partner.

Bonn, General-Anzeiger, 7/8 July 2001


One got almost startled by the powerful sound of the instrument that reminds of a human voice and how this is able to express itself emotionally. Ma Xiaohui masters, with virtuosity, the big range of emotions from a completely intimate conversation with oneself to the wild dance and speaks through her instrument to the public very directly.

Amazing what dynamic range of tones and expressions Ma Xiaohui can bring out from her instrument; there were trills and tremolos, finest pianissimi, wild and sonorous attacks and a kind of flageolet, but also defiance and roguish charm, as if somebody was singing all her emotions and impressions to herself.

With J. S. Bach she too built a bridge to the West: his famous Air of the Third Orchestra Suite came to bear with astonishing purity and big legato - she played almost without stopping the bow - and everybody listened deeply impressed.

St. Galler Nachrichten (Switzerland), 14 January 2004


For the Chinese Ma Xiaohui, the erhu is more than just an instrument: She responded to the long and enthusiastic applause in her very personal language. In her solo encores, she brings together natural sounds and elaborated art, singing birds and Bach, in a very natural and expressive manner.

St. Galler Tagblatt (Switzerland), 10 January 2004

Ma Xiaohui Introduction

Please check out this link on Wikipedia which has so many informations about Xiaohui Ma.
http://en.wikipedia.org/wiki/Xiaohui_Ma

Xiaohui Ma (马晓晖, pinyin: Mǎ Xiǎohuī) an erhu virtuoso, with her Chinese 'violin' Ma is one China's few first-class traditional artists embracing an international career.[1][2] Critics laud the renowned Shanghai Erhu musician and composer as 'an artist who speaks with the world through Erhu' and 'a musician who plays with heart.' Xiaohui Ma is perhaps most readily recognized for her duet with famed cellist Yo-Yo Ma on the Oscar -winning soundtrack for the film Crouching Tiger, Hidden Dragon. The Kennedy Center for the Performing Arts regarded her 1999 Millennium Stage performance among that year's ten finest concerts.[3]
Raised in an academic family and having played erhu since age six, Ma graduated from the Shanghai Conservatory of Music, and served as concert master for the Shanghai Traditional Orchestra before commencing her independent career. Among her diverse associations, Miss Ma is a member of the United Nations Oriental Art Center, guest professor at Southwest Jiaotong University (Chengdu), love envoy of the 2007 World Special Olympics[4], and Cultural Ambassador to the 2010 World Exposition in Shanghai. She also advises the Hong Kong Youth Music Association and the Ning Bo Folk Music Orchestra, as well as directing her own Shanghai Xiaohui Art Center.[5][6]
Contents
1 Career
2 Criticism
3 Awards and Recognition
4 Discography
5 References
6 External links

Career
Equally at home on television or stage, Xiaohui Ma toured extensively across Europe, Asia and the Americas since the late 1990s, appearing with noted orchestras in more than one hundred concerts in additional to presenting several-fold more lectures. European appearances have included the Berlin Chamber Orchestra, the Hamburg Philharmonic Orchestra, the French National Symphony Orchestra, Switzerland's Symphony Orchestra St. Gallen, and the Lithuanian State Symphony Orchestra (their first Chinese performer). Many of her recitals featured her global 'Erhu Dialogues,' a musical conversation encompassing Oriental and Western civilization. Notable recent European performances include a recital for the King and Queen of Sweden (2007), along with Chinese President Hu Jintao, followed by a concert for the King of Finland (2008).
In North America her programs include performances with conductor David Stern at Colorado's Crested Butte Music Festival (2007) and the American Youth Philharmonic Orchestra of Washington, DC (2007), as well as the Kennedy Center for the Performing Arts (1999, 2006) and at Mt. Vernon for the White House Historical Society (2007). She also appeared at the United Nations, at New York Philharmonic conductor Lorin Maazel's Castleton Theater (Châteauville Foundation), with the Mexican National Symphony Orchestra, and at an internationally televised program at the famed Crystal Cathedral in Orange County, California. In 2008 Miss Ma performed in New York City for her debut at the Weill Hall at Carnegie Hall.[7]
In Asia, Xiaohui Ma has performed with the National Symphony Orchestra of China, the Hong Kong Philharmonic Orchestra, Japan's NHK Symphony Orchestra, the Singapore National Symphony, and at Classical Concert Hall in Seoul, Korea, among others. Chinese Premier Wen Jiabao's Shanghai African summit in Shanghai presented Miss Ma's artistry to African heads of state (2006) and she earlier represented China at Bravo China in Athens, Greece (2002) and as lead musician for the APEC meeting in Shanghai (1999). Miss Ma is often seen in television music specials on Chinese CCTV and Chinese MTV.
Appearing in over 40 CDs, Xiaohui Ma has also composed numerous pieces, including her major works 'The Spirit of My Erhu' and 'The Story of Two Strings' (premiered at the Beethoven House in Bonn, Germany). Among her significant adaptations of Western and Chinese classical compositions are Béla Bartók's 'Romanian Folk Dances,' Johann Sebastian Bach's 'Inventions II' and Sonatas, Fritz Kreisler's 'Liebesleid' and the Ping Tan Opera 'Call Mother in the Nunnery.' World premieres include 'Wailing Waters,' 'Chant & Allegro,' 'Maiden Lan Hua-Hua,' 'Genghis Khan,' 'The Shepherd Girl,' 'Hard to Say Good-Bye,' 'Night Color in the Desert' and 'Deep at Night.'
A respected music scholar, she has also lectured at dozens of world universities, including Notre Dame University, Northwestern University, University of Michigan, Pomona College, Fudan University, and Jiaotong University. In 2007, Azusa Pacific University hosted her as World Music Scholar-in-Residence[8][9][10], and she conducted a concert at Scripps College in collaboration with Claremont Graduate University's transdisciplinary course 'Shanghai Rising.'

Criticism
Xiaohui Ma has redefined Erhu, elevating it to a fine classical standing, stretching her ancient, versatile instrument's boundaries with new tone colors and techniques. The German Saale newspaper recognized this: 'Miss Ma is a brilliant interpreter, mastering virtuously all possibilities of her tender instrument and playing her truly personal interpretation with enormous humor and refinement . . . in which she could show, once again, her breathtaking virtuosity.' Shanghai Grand Theatre Magazine noted she 'demonstrates her continuous creativity and truthfulness to her own personality, touching, through her music, the entire audience.' The South Bend Tribune added: 'Ma Xiaohui's Erhu is able to evoke not just traditional Chinese musical themes—the twitter of bird song or the distinct cadence and intonation of Chinese speech—but the emotional variety of Western music as well. She strives to span cultural divides and emphasizes the universality of music.'
Diverse Europeans critics particularly praise China's rare flower in the garden of traditional music. Nuremberg Daily said, 'Erhu, an ordinary instrument in appearance, gains an incredible strength through the interpretation of Ma Xiaohui.' Munich Times said 'with nimble virtuosity… that we fully believed again in music as a universal language.' Oxford Times agreed that 'she drew a kind of alto human voice bereft of words,' and her playing 'sounds so culture-free and universal, that Ma Xiaohui's gift, and vibrant musicality, shone out on us like light.' The Swiss press wrote that one is 'almost startled by the powerful sound of the instrument that reminds of a human voice and how this is able to express itself emotionally.' Germany's Donaukurier captured the artist‘s essence: 'Ma Xiaohui proved to be a magnificent Erhu player who, as if by magic, produced out of the two strings fantastic sound effects. The fantastic virtuosity and musicality of the soloist unified the poetic imitations of singing birds, subtly drawn and melodious bows, elegiac songs, and comedian dialogues…the disparate elements drawn from the Chinese tradition and the western modernity were blended into a unity through the intensive creative power of the artist.'

Awards and Recognition
• 2005—'Erhu with Piano' Dialogue, Top Ten Ensembles, Grand Theatre, Shanghai• 2003—Outstanding Women Music Trio, Shanghai International Music Festival• 2001—Top Prize, First Shanghai International Spring Music Festival• 2000—Featured in duet with Yo-yo Ma on Oscar-winning film soundtrack for Crouching Tiger, Hidden Dragon, composed by Tan Dun• 1999—Ten Best Concerts at the Millennium Stage, Kennedy Center for the Performing Arts• 1999—Shanghai Bao Gang Award for Ten Best Artists• 1998—International Outstanding Woman Nomination, International British Cambridge Biographical Center• 1998—Life Achievement Award and Cultural Missionary Award, American Biographical Research Institute• 1998—Great Artist, Shanghai International Spring Music Festival• 1995—Shanghai Bao Gang Award for Ten Best Artists• 1993—First Shanghai Most Excellent Young Performing Artist Award nomination• 1993—New Work Performance Award, 15th Music Spring Festival of Shanghai & Top Ten Excellent Youth Musical Performer nomination• 1987—Top Prize, National Guangdong Music Competition (Gaohu Section)

Discography
Appearing in more than 40 CDs, Xiaohui Ma is featured as principal in over 20 CDs and has appeared in numerous television interviews discussing her CDs and music. Some of Ma's critically acclaimed CDs and DVDs include:
• Erhu Around the World (DVD/CD album & 24 pp. photo-booklet), Slav, Shanghai (2006)[11]• Spirit of My Erhu—Ma Xiaohui Special Features No. 1, Slav, Shanghai (2006)• Four Seasons of Erhu—Romance, Ma Xiaohui Special Features No. 2, Slav, Shanghai (2006)• New Colors from China (with Li Biao, Percussion), Deutsche Welle, Germany (2003)• Deep Night, Bailey Record Co. Ltd, Hong Kong (2003)• Hua, King Record Co., Tokyo (2003)• Petite Fleur, King Record Co., Tokyo (2002)• Birds Singing in Lonesome Mountains (with Tim Ovens, Klavier), Cordaria, Hannover, Germany (2000)• The Spirit of My Erhu, Polygram Far East, Hong Kong (1998)• On the Grasslands, Hay Ung Music, Shanghai (1997)

References
^ Interviews with Xiaohui Ma in 2006-2008 in preparation for her biography.
^ Sheila Melvin. The Erhu's Melancholy Music Makes a Comeback : Listening to Ancient China. (http://www.iht.com/articles/2000/12/27/melvin.t.php) International Herald Tribune, December 27, 2000. Retrieved on 2006-12-02.
^ Kennedy Center Features Ma Xiaohui in Return Engagement [Press Release] (http://maxiaohui.com/web/en/news2.asp), June 20, 2006. Retrieved 2007-12-01
^ Ma Xiaohui Takes Qiao Meili as Her Student. (http://www.womenofchina.cn/news/Updates_on_Women/index149.jsp) Women of China, All-China Women's Federation, November 26, 2006. Retrieved on 2006-12-02.
^ Darryl E. Brock. Erhu Holding Hands With the World - Nanxiang's New Spirit of Expression. Nanxiang Pictorial Magazine (Shanghai, China), No 3, 2006.
^ Shanghai Xiaohui Art Center Expansion – Government Approves Construction for 2007 Grand Opening [Press Release], June 30, 2006.
^ Carnegie Hall Debut Shanghai Erhu Virtuoso Xiaohui Ma – 'Erhu Holding Hands with the World: Beautiful Music Tour' [Press Release], June 2, 2008.
^ Christina L. Esparza. Chinese musician studies gospel (http://www.sgvtribune.com/). San Gabriel Valley Tribune. March 1, 2007. Retrieved on 2007-03-13.
^ Christina L. Esparza. Ancient instrument blends with soul (http://www.sgvtribune.com/). San Gabriel Valley Tribune. March 8, 2007. Retrieved on 2007-03-13.
^ Shanghai Virtuoso Ma Xiaohui's Los Angeles Gospel Music Exploration – Black History Month World Scholar at Azusa Pacific University [Press Release], February 12, 2007.
^ Ma Xiaohui: 'Erhu Around the World' – Photo Album and Audio Biography Published Featuring China's Cultural Ambassador [Press Release] (http://maxiaohui.com/web/en/news3.asp), May 31, 2006. Retrieved 2007-12-01